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This is pure visual poetry, as quietly hypnotic as the music.
#Ryuichi sakamoto live full
In his sole concession to cinematic grammar, he sporadically fills the full screen with the bespoke monochrome images that wash across a giant video wall suspended over Sakamoto’s piano: drifting snow, watery ripples, heavenly cloudscapes, whirling murmurations of pointillistic dots and other more abstract fare. Using eight cameras, most of them static, Schible captures this concert with cool-eyed exactitude. These experimental digressions may sound almost comically pretentious on paper, but the effects they create are often sublime. Later, he abandons conventional instruments altogether and generates sound from a cluster of modernist sculptures, bowing a curved set of chiming metal rods before teasing out ghostly squeals by scraping microphones across a sheet of glass. At one point in this performance, he leans into the guts of his piano and plucks pizzicato notes from the interior strings with what looks like a chopstick. Sakamoto’s solo album have always leaned more toward the avant-garde sonics of John Cage or Terry Riley than his more conventionally melodic, accessible film scores.
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And yet it all seems limitless.” These somber sentiments have inescapable extra weight in this context, given the composer’s own recent brush with serious illness. “How many more times will you watch the full moon rise?” Bowles muses. Probably the most moving track is “ Fullmoon,” which features the voice of Paul Bowles reading a celebrated passage from his novel The Sheltering Sky, taken from the 1990 Bernardo Bertolucci film that Sakamoto scored. The async pieces also reflect elliptically on Sakamoto’s own film work. The symphonic synthesizer piece “ Solari” pays homage to Tarkovsky’s philosophical sci-fi classic Solaris, while the various pre-recorded vocals submerged within the ambient piano ripples of “Life, Life” are based on a poem by the legendary filmmaker’s father, Arseny Tarkovsky.
#Ryuichi sakamoto live movie
The musician describes the asyncalbum as “an imaginary soundtrack to a film Tarkovsky never finished,” and there are artful allusions to the Russian movie maestro in this performance. Playing the piano for the isolated (2020), a concert by Ryuichi Sakamoto, is available to watch on his YouTube channel.'Ryuichi Sakamoto: Coda': Film Review | Venice 2017 Ryuichi Sakamoto had already held a concert in February 2020, this time in his apartment in New York, for people in quarantine in China. I pray for a more generous world, where we can feel as though we are part of nature, a gentler world.’ I hope that this state of excessive globalisation and financial capitalism will slow down.
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‘I hope that after the pandemic, our way of thinking and the functioning of our economy and our cultural activities will be very different. This is followed by a solo performance from Ryuichi Sakamoto on the piano that closes the concert, which is still available on his YouTube channel.Īfter thanking his virtual audience, the artist also thanks the medical staff who have played such an essential role during the pandemic, then expresses his wish to see this event be followed by the emergence of a new world. After this, the duo then launch into an improvisation in which the very particular sound of the shamisen is in turn accompanied by the piano, electric guitar, or sounds made by sliding a stone in a ceramic bowl. Ryuichi Sakamoto then leaves Hidejiro Honjoh to play classical pieces on the shamisen, the traditional Japanese three-stringed instrument, for over half an hour. But I like to think that this noise forms part of the music’, he adds, a black jacket on his shoulders and a long grey scarf around his neck. ‘We’re just underneath the motorway, which means there’s a lot of noise. ‘We are doing this in the hope that it will bring you some comfort’, explains Ryuichi Sakamoto in his introduction. He is then joined by Hidejiro Honjoh, a shamisen prodigy. In this concert, recorded in April 2020 in a studio in Japan, the co-founder of Yellow Magic Orchestra initially appears alone at his piano, wearing a white mask, playing ‘Andata’, a track from his latest album Async. Composer Ryuichi Sakamoto has posted a concert entitled Playing the piano for the isolated on his YouTube channel for people experiencing loneliness during the coronavirus pandemic.